Takács Quartet
Jeremy Denk, piano

TAKÁCS QUARTET

In recognition of its fiftieth anniversary, the world-renowned Takács Quartet was recently the subject of an in-depth profile by the New York Times and featured on the cover of Strad magazine. The Takács released two anniversary season albums in 2025 for Hyperion Records to glowing reviews. Flow by Ngwenyama, composed for the ensemble, was followed by an album of piano quintets by Dvořák and Price with Marc André Hamelin. In August 2025 for Musica Viva in Australia, the ensemble plays a new work Sonnet of an Emigrant for quartet and narrator by Cathy Milliken with texts by Bertolt Brecht.

Edward Dusinberre, Harumi Rhodes (violins), Richard O’Neill (viola) and András Fejér (cello) are excited about upcoming projects including performances throughout the USA of Mozart viola quintets with Jordan Bak and a new string quartet, NEXUS, written for them by Clarice Assad, co-commissioned by leading concert organizations throughout North America. The group’s North American engagements include concerts in New York’s Carnegie Hall, Vancouver, Philadelphia, Boston, Princeton, Ann Arbor, Washington DC, Duke University, Los Angeles, Berkeley, Cleveland, Charlottesville, and Portland.

The Takács enjoys a busy international touring schedule. As Associate Artists at London’s Wigmore Hall, the group will present four concerts featuring works by Haydn, Assad, Debussy, Beethoven and two Mozart viola quintets with Timothy Ridout that will also be recorded for Hyperion. Other European appearances include the Concertgebouw, Amsterdam, Konzerthaus Berlin, Florence, Bologna and Rome.

The members of the Takács Quartet are Christoffersen Fellows and have been Artists in Residence at the University of Colorado, Boulder since 1986. During the summer months the Takács join the faculty at the Music Academy of the West, running an intensive quartet seminar. This season the ensemble begins a new relationship as Visiting Artists at the University of Maryland.

The Takács has recorded for Hyperion since 2005 and all their other recordings are available to stream.  In 2021 the Takács won a Presto Music Recording of the Year Award for their recordings of string quartets by Fanny and Felix Mendelssohn, and a Gramophone Award with pianist Garrick Ohlsson for piano quintets by Beach and Elgar. Other releases for Hyperion feature works by Haydn, Schubert, Janáček, Smetana, Debussy and Britten, as well as piano quintets by César Franck and Shostakovich (with Marc-André Hamelin), and viola quintets by Brahms and Dvořák (with Lawrence Power). For their CDs on the Decca/London label, the Quartet has won three Gramophone Awards, a GRAMMY Award, three Japanese Record Academy Awards, Disc of the Year at the inaugural BBC Music Magazine Awards, and Ensemble Album of the Year at the Classical Brits.

The Takács Quartet is known for its innovative programming. In July 2024 the ensemble gave the premiere of Kachkaniraqmi by Gabriela Lena Frank, a concerto for quartet and string orchestra. Since 2021-22 the ensemble has partnered regularly with bandoneon virtuoso Julien Labro in a program featuring new works by Clarice Assad and Bryce Dessner, commissioned by Music Accord. In 2014 the Takács performed a program inspired by Philip Roth’s novel Everyman with Meryl Streep at Princeton, and again with her at the Royal Conservatory of Music in Toronto in 2015. They first performed Everyman at Carnegie Hall in 2007 with Philip Seymour Hoffman. They have toured 14 cities with the poet Robert Pinsky, and played regularly with the Hungarian Folk group Muzsikas.

In 2014 the Takács became the first string quartet to be awarded the Wigmore Hall Medal. In 2012, Gramophone announced that the Takács was the first string quartet to be inducted into its Hall of Fame. The ensemble also won the 2011 Award for Chamber Music and Song presented by the Royal Philharmonic Society in London.

The Takács Quartet was formed in 1975 at the Franz Liszt Academy in Budapest by Gabor Takács-Nagy, Károly Schranz, Gabor Ormai and András Fejér, while all four were students. The group received international attention in 1977, winning First Prize and the Critics’ Prize at the International String Quartet Competition in Evian, France. The Quartet also won the Gold Medal at the 1978 Portsmouth and Bordeaux Competitions and First Prizes at the Budapest International String Quartet Competition in 1978 and the Bratislava Competition in 1981. The Quartet made its North American debut tour in 1982.

Members of the Takács Quartet are beneficiaries of an instrument loan by the Drake Foundation and are grateful to be Thomastik-Infeld Artists.

JEREMY DENK, piano

Jeremy Denk is one of America’s foremost pianists, hailed by The New York Times as “a pianist you want to hear no matter what he performs”, and celebrated for performances of vast imagination, beauty, profundity, and wit. A New York Times bestselling author, Jeremy is the recipient of both the MacArthur ‘Genius’ Fellowship and the Avery Fisher Prize, and is a member of the American Academy of Arts and Sciences.

In the 2025/26 season, Denk toured widely across North America with performances in New York, Philadelphia, Cleveland, Los Angeles, Seattle, Berkeley, and Austin, among others. In recital he continues to explore female composers from the past to the present, as well as the complete Bach Partitas. He also returns to the Orpheus Chamber Orchestra to perform Beethoven 1 at the 92nd Y in New York, and reunites with his long-time collaborator, Joshua Bell, for performances at the Hollywood Bowl and the Ravinia Festival. Further afield, he embarks on a tour of South Korea with violist, Richard O’Neill, and performs at the Adam Chamber Music Festival in New Zealand in multiple concerts, including a performance of Schubert’s Die Schöne Müllerin with tenor Colin Ainsworth.

In the 2024/25 season, Denk continued his musical collaboration with Joshua Bell and Steven Isserlis, with performances at the Tsindali Festival and Wigmore Hall, following on from his multi-concert residency at the Wigmore. He also returned to the Lammermuir Festival in multiple performances, and to Klavierfestival Ruhr. Recent highlights also include premiering a new concerto written for him by Anna Clyne, co-commissioned by the Dallas Symphony led by Fabio Luisi, the City of Birmingham Symphony led by Kazuki Yamada, and the New Jersey Symphony led by Markus Stenz. Further highlights include performances of John Adams’ Must the Devil Have All the Good Tunes? with the Cleveland Orchestra, St. Louis Symphony, and Seattle Symphony.

Denk has performed frequently at Carnegie Hall, and in recent years has worked with such orchestras as Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and San Francisco Symphony, and appeared in such halls as the Köln Philharmonie, Concertgebouw in Amsterdam, and Boulez Saal in Berlin. Denk has also performed extensively across the UK, including with the Bournemouth Symphony, City of Birmingham Symphony, London Philharmonic, BBC Symphony, Royal Liverpool Philharmonic, Britten Sinfonia, Scottish Chamber Orchestra, Royal Scottish National Orchestra, and the Northern Sinfonia.

Denk is also celebrated for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” His New York Times bestselling memoir, Every Good Boy Does Fine was published to universal acclaim by Random House in 2022, with features on CBS Sunday Morning, NPR’s Fresh Air, The New York Times, and The Guardian. He also wrote the libretto for a comic opera presented by Carnegie Hall, Cal Performances, and the Aspen Festival, and his writing has appeared in The New Yorker, New Republic, The Guardian, Süddeutsche Zeitung and on the front page of The New York Times Book Review.

Jeremy is known for his interpretations of the music of American visionary Charles Ives, and in celebration of the 150th anniversary of the composer’s birth, Nonesuch Records released a collection of his Ives recordings in 2024. His album of Mozart piano concertos, released in 2021 on Nonesuch Records, was deemed “urgent and essential” by BBC Radio 3. His recording of the Goldberg Variations for Nonesuch Records reached No. 1 on the Billboard Classical Charts, and his recording of Beethoven’s Piano Sonata, Op. 111 paired with Ligeti’s Études was named one of the best discs of the year by The New Yorker, NPR, and The Washington Post, while his account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano.