2010/11 Concert Season
8PM, Cabell Hall Auditorium, University of Virginia
| October 5, 2010 |
REBEL Baroque Ensemble |
Principal Underwriter: Silvercrest Asset Management Group
Children’s Concert Underwriter: The Watterson Foundation
Program:
Harlequin Unmasked: Music and Dance of the Comedia dell’Arte
| Telemann | Ouverture Burlesque in B flat Major, TWV 55, B8 |
| Vivaldi | Concerto Op. 10, No. 5 in F Major |
| Gluck | Reigen seliger Geister from Orphée |
| Charpentier | Chaconne |
| Campra | Chaconne-Air pour les Masques-Premier Air Comique |
| Vivaldi | Concerto in D Major, RV 94 |
| Biber | Pars V in E Major from Mensa Sonora |
| Schmelzer | Serenata con altre arie |
“[The] ensemble delivered an energetic, polished and creative performance…the group are all fine musicians in their own right…[and] set the bar for bringing to life the lightness, beauty and grit of their chosen repertoire.”
Denver Post
Artist Biographies
R E B E L
Jörg-Michael Schwarz & Karen Marie Marmer, directors
Hailed by the New York Times as “Sophisticated and Beguiling” and praised by the Los Angeles Times for their “astonishingly vital music-making”, the New York-based Baroque ensemble REBEL (pronounced “Re-BEL”) has earned an impressive international reputation, enchanting diverse audiences by their unique style and their virtuosic, highly expressive and provocative approach to the Baroque and Classical repertoire.
The core formation of two violins, recorder/traverso, cello/viola da gamba and harpsichord/organ expands with additional strings, winds, theorbo and vocalists, per-forming on period instruments. REBEL, through its longterm residency from 1997-2009 at historic Trinity Church, Wall Street in New York City, has achieved high acclaim for its collaborations with Trinity Choir in performance, radio broadcasts, webcasts and recordings with works ranging from the cantatas of Bach to large scale works by Mon-teverdi, Handel, Bach, Purcell, Mozart and Haydn.
Named after the innovative French Baroque composer Jean-Féry Rebel (1666-1747), REBEL was originally formed in The Netherlands in l99l. In the Fifth International Com-petition for Ensembles in Early Music, Utrecht 1991 (now the Van Wassenaer Competition) REBEL was awarded first prize. Since then the ensemble has performed at European venues such as the Holland Festival Oude Muziek, Tage Alter Musik Berlin, the Konzerthaus (Vienna), La Chapelle Royale (Versailles), Internationale Festtage für Alte Musik Stuttgart, Tage Alter Musik Regensburg and the Händel Festspiele (Halle an der Saale, Germany), amongst others.
REBEL has appeared to critical acclaim at distinguished American venues such as the Da Camera Society, the Schubert Club , Friends of Music Kansas City, the Clarice Smith Per-forming Arts Center, Library of Congress, Caramoor, Chautauqua Institution, Stanford Lively Arts, University of Chicago Presents, University of Arizona (Tucson) Presents, the Shrine to Music Museum, the Isabella Stewart Gardner Museum, the Cleveland Museum of Art, the Boston and Berkeley Early Music Festivals and Music Before l800 in New York City.
REBEL has collaborated with renowned vocalists Max von Egmond, Derek Lee Ragin, Suzie Le Blanc, Daniel Taylor, Peter Kooy and Barbara Schlick; in 2005 REBEL appeared in collaboration with Renée Fleming at Carnegie Hall to critical acclaim. The ensemble has recorded for all the major European national radio networks and has been showcased in performance and interview on BBC’s Radio 3. Arguably the most aired American Baroque ensemble in the U.S. today, REBEL has been regularly featured on NPR’s Performance Today and MPR’s St. Paul Sunday. In 1999 REBEL became the first and only period instrument ensemble to be awarded an artists’ residency at National Public Radio.
REBEL has recorded for Deutsche Harmonia Mundi (Tombeau: Trio Sonatas of J.-F. Rebel; Fantaisie Champestre: Pièces en Trio by Marais); Dorian Recordings (Rossi and his Circle; Concerti di Napoli; Telemann alla Polacca), ATMA Classique (Giuseppe Sammartini: Sonate e Concerti with Ensemble Caprice); Naxos (Haydn: The Complete Masses with REBEL Baroque Orchestra & Trinity Choir), Bridge Records (Antonio Vivaldi: Shades of Red; Biber: Harmonia Artificioso -Ariosa).and Haenssler Classique (Haydn: St. Nicolai Mass & Grand Organ Mass). REBEL’s CD on Dorian/ Sono Luminus , Corellisante: Trio Sonatas by A. Corelli & G. Ph.Telemann has been highly praised by critics and was the subject of a feature article in the July/August 2008 issue of Chamber Music America Magazine. Their latest CD on Dorian/ Sono Luminus, “Telemann: Sonate à Cinque & Quattro” was released in October 2009. www.rebelbaroque.com
